Dave Portolano: Vocals, acoustic and electric guitars
Brian Lindgren: Guitars, vocals
Joe Kowalski: Bass
Joe Anderson, Dave Diamond: Drums
1. Can You Rise (Above It All)
2. If I Had A Son
3. Joan Of Arc (Was Self-Employed)
4. We All Lie Naked
3. Left Behind
4. Talk To The Ocean
Gotta admit I am guessing on the release date of this tape, but I’m probably close, since “25°” and “We All Lie Naked” were released as a double-A-side single that year.
This cassette is considerably more confident, hard-hitting and punk-influenced than Sampler; “25°” is positively ferocious!
The band is no longer active, but Brian Lindgren actively maintains a Facebook page with vintage live videos and other fun stuff.
UPDATE 1/16: Brian quickly responded to my Facebook post:
“Jim Santo I believe this was a compilation cassette assembled by Dave Portolano in 1994 or later. I am on only a few of these tracks, but the ones I am on were recorded in 1992. I’m on tracks 1 & 4 on Side 1 and tracks 1 and 3 on Side 2. We actually released a 7” 33-1/3 RPM vinyl disc in 1992 that includes “25 Degrees,” “We All Lie Naked” and a track called “Bureaucratic Rape.” From that same session, “Can You Rise (Above It All)” did not make the vinyl, but the four January 1992 tracks were released on an ultra rare cassette EP. If you’re curious I could send you a copy of the vinyl and the cassette. On to your other questions – Joe Kowalski played bass on at least the tracks I mentioned, and probably the others. Joe Anderson played drums on some tracks… possibly Dave Diamond (of the Mighty Underdogs) on others. Neither Drew Schmitt nor Paul Wilson was involved with these tracks. Jim Voigt (of the Cranks) played lead guitar on “If I Had a Son.” Dave (Portolano) released several of the other tracks on a 1992 cassette titled “In Blood and Bones,” which I believe you might have reviewed under a pseudonym* for The Music Paper back in the day.”
* My nom de plume, Andy Glass
PERSONNEL: Jim Shelley, everything
2. In My Room
3. The Girl Whose Name
4. Blue Man
5. Haunted Road Blues
6. Notes from the Underground
7. New James Shelley Blues
8. Fool for Love
9. The Haunted Life
10. Talk to Me
11. She’s the Kind of Girl
“I can do what I want to do/In my little room”
Jim was, and is, an essential artist in the cassette underground; beyond question one of the finest songwriters I encountered in my travels through the Demo Universe. Recording under his own name and, more often, as Book Of Kills, his music stirs Dylan, Lennon & Young into a rough and tumble gumbo of poetic, impassioned American Rock like you want it. Much more from this guy to come.
Mixed September 27-30, 1992, The Haunted Life cassette, Jim’s seventh release in three years, was accompanied by extensive, evocative liner notes (click the images below to enlarge). The track listing above is from his official discography, but the order does not match the liner notes. Does it matter? You can figure it out if it matters to you.
Lenny Zenith: Vocals, guitar
Jim Santo: Guitar, vocals
James Pertusi: Bass, vocals
Eddie Siino: Drums
1. Big Wheel
4. Beg Off
5. Awakening From A Disturbing Dream
Recorded live to DAT by Al Houghton on a very hot day in the summer of 1995 at the original Dubway Studio on 8th Avenue, this EP captures JenCon in the period immediately after the departure that spring of original drummer Andy Moore. “Maine,” Andy’s not-dead-yet elegy, let me channel Jimmy Page; that’s one of my top fave recorded solos. “Big Wheel” was subsequently slowed down and rearranged for the Wharton Tiers-produced Wanna Drag? LP, which also included a new (and better?) recording of “Awakening.” The other three can only be heard here. I’m so glad we got a good recording of “Beg Off,” one of our strongest numbers at the time. I don’t know how many of these exist. Not many, I’m sure.
‘Mobius Strip employ hip-hop beats, jazzy guitar, throbbing rock bass and space dinosaurs to build their mesmerizing sound. Imagine a cross between My Bloody Valentine, Roxy Music and Achtung Baby U2 and you’ll be getting there, then listen to “Bleed Electri” and hear a hybrid of orchestral Soft Machine, Art Of Noise and a sentient jellyfish. Most of this is instrumental, but Arrow and Christian open their mouths softly on “Remedy,” contributing little to the overall mood. Incredibly, the duo claim to have recorded this five-song opus “live in our garage on four track during Summer 1995.” The mind reels at what they could do in a first-rate studio.’ — Demo Universe, 1995
Arrow Kleeman & Christian (Xian) Hawkins: Guitars, Ensoniq EPS sampler, Roland drum machine
1. Infinity Nets
4. Bleed Electri
5. Brownian Motion
A year after this release, Kleeman and Hawkins joined the reformed Silver Apples, alongside founder Simeon and Michael Lerner (now of The Antlers). Xian Hawkins has since released five albums of solo material under the name Sybarite; Arrow Kleeman has also remained active in multiple fields, assembling a substantial catalog of music under his own name and as Lilienthal.
Jon Bunch: Vocals
John Stockburger: Bass
Rodney Sellars: Guitar
Chris Evenson: Guitar
2. Add The Colors
3. Today & Tomorrow
If you came of age in the ’90s, chances are you know these guys. One of the most successful bands I ever reviewed, Sense Field were right up there with the biggest emo bands of the day.
If you checked Wikipedia a few minutes ago, you would have thought Sense Field was formed in 1991; I know better, and have the evidence (and have updated Wikipedia). “Recorded at home on the 4-track,” this three-song cassette makes it clear Sense Field was “Born: January 1990.”
“Tripoem” reappeared the following year on the band’s self-released, self-titled, five-song debut EP (1991); and again (retitled “Trip Poem”) on their 1996 Revelation Records EP, Building Foundation. “Today & Tomorrow” kicked off their seminal 1994 Revelation release, Killed For Less.
As far as I am able to determine, “Add The Colors” has never appeared on any other recording. This cassette includes an insert with lyrics; likely the first time these words were published.
R.I.P. Jon Bunch, October 25, 1970 – January 31, 2016.
NOTE: No downloads allowed on this one, sorry.
PERSONNEL: John Sosnowski, everything
1. Politics In Wonderland
2. Cruz Tenebrae
3. Fleet Street
4. None But The Faithful*
6. Blue Dogs*
7. Keeping In Touch*
9. Chapter 11
1. Trust Me (Lame Dub Mix)
2. Dust Motes
3. Tagged & Swelling
4. Different Tribes
5. The Chase Scene*
6. Waiting Room Only
7. Go Figure*
9. User Friendly
All songs ©1992 except * ©1990
Very early, pre-Web demo from Buffalo, New York’s John Sosnowski, who would later move to Michigan, plug into the cassette underground and re-emerge as cult-fave electronic composer Broca’s Area. You’ll be hearing a lot from Broca’s Area as this Universe unwinds; in the meantime, dig these home-recorded shred-rock instrumentals; although enjoyable in and of themselves — John is an impressively skilled and inventive lead guitarist — they offer only the slightest hint of what was to come.
John now lives in Annandale, Virginia and continues to make music. Check out his Youtube channel.
PERSONNEL: David Hull, everything?
1. Word Game
1. Sprechen Sie Deutsch
This may have been the first recording I ever received from David “Davey” Hull, well prior to his move from Essex to Berlin. “Sprechen Sie Deutsch” skates on crude oil. “Blue” pleads, drones, and unravels. “Talking” actually rocks. “Word Game” is all clawing, crabbing Syd-guits; “Wealth,” a secret ceremony, shrouded in anxious fog, pummeled mad by drums. Just beautiful and weird.
Note: The sides are reversed on the J-card; my track listing follows markings on the cassette.
“This degree of strange might be intolerable to some, but it’s sweet music to these mutant ears.” — Demo Universe, 1995
Jake Rubin: Saxophones
Walker Hardy: Trombone
Christopher Freeman: Bass
Kent South: Drums, vocals
Ian Russell: Piano, organ, vocals
Prabir Mehta: Guitar, vocals
Recorded by Chris Freeman with a Tascam 488 MKII 8-track recorder, August 30, 1997 to January 2, 1998
Cover art & design: John Hilowitz & Chris Freeman
Photography by Murphreesboro and Courtney England
Auxilliary percussion and other stupid noises by Murfreesboro
Drum machine on “Ladies Room” provided by Jason Sposa
3. Let Me Be Your Fool
6. So Fine
1. Ladies Room
2. Don’t You Walk Away
3. Horror Movie Life
4. Steppin’ Off
Here we have some shaggy jazzy skanky horn rock jams from late ’90s Richmond, VA. The lo-fi, evidently live, recording does not diminish the youthful joy spilling out the speakers; indeed, it enhances the sense of space and time that most draws me to demo tapes. “So Fine” and “Don’t You Walk Away” still get me, all these years later.
Guitarist Prabir Mehta went on to front The Rachel Nevadas and remains active on the Richmond scene; dunno about the rest of ’em. Can someone fill in the history?
Thankfully avoiding both alternarock overkill and white-boy hip hop, Murfreesboro plays classic party music in a more or less traditional fashion. — Jim Santo’s Demo Universe, 1998
Bill Roper: Bass, vocals
Larry Taube: Drums, vocals
Bernard Yin: Guitar, vocals
Performed and recorded by Brazil 2001 in early 1997
All songs original except for Immigrant Song – Page/Plant
Recorded by Mike “Gus” Agostinelli at Explosive Studio 12
1. Tahiti 96
2. Muchacha No. 3
4. Immigrant Song
6. Muchacha No. 3 [instro.]
“Tahiti 96” kicks off this tropical delight with a full-on Dick Dale-style speed surf assault, blowing the grass roof clean off and setting the stage for great flaming coconuts of bikini-pop, tanning-oil punk and tiki-psych. In short: This tape is KILLER.
So, who were these guys? This LA Times review of the band’s 1996 debut CD, Fist Full Of Sand, names veteran SoCal axe slinger Bernard Yin, he of El Vez, Medicine, Pansy Division and The Fuzztones, among others. A click over to Discogs fills out the personnel.
This demo was recorded between Fist Full Of Sand and the 1999 follow-up, Tropical Diseases, on which all of these songs appear.
“Bright, fresh and more than a bit zany, Brazil 2001 is the best on the beach this year.” — Demo Universe, 1997
Tony Low: Vocals, guitars, bass, percussion
Lil’ Cliff Bernard: Harp on “Suicide Audition Complex”
Shane Faubert: Piano, keyboards
Lane Steinberg: Lead guitar, vocals
Van Keith: Drums
Photo: Lauren Keswick
Recorded and mixed at Dubway Sudios, NYC
Engineers: Michael Ungerer and Al Houghton
“Music Moves the World”
Special thanks to Peter (Grandmaster Clap) Furrer: hand claps
1. Suicide Audition Complex
2. The Big Parade
3. Coloring The Time
This is the very first solo release by Tony Low, a founding member of New York’s renowned garage-psychedelic pop band The Cheepskates. My good friends Lil’ Cliff Bernard and Lane Steinberg, along with Shane and Van from the Cheepskates, back Tony on this kick-ass cassingle that jumps from fast and twangy Dylan-rock to sunny psychedelia to lush chamber-pop. Also known as Tony Steen, Low now lives in Greensboro, NC, where he remains active in music.